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129 results for “moving”
Celtic War Chariot Driving Experience
Two-horse chariot, wicker-and-oak frame. My charioteers galloped along the yoke pole and threw javelins at speed. Tip: The chariot is mobile infantry -- ride to the fight, dismount, fight, ride away.
Steppe Survival Workshop -- Live Off the Land
Three-day outdoor survival. How the Mongol army traveled without supply lines. Dried meat under the saddle, fermented mare's milk, hunting on the move. Tip: A Mongol rider carries 10 days of food in two saddlebags. Learn to need less.
Courage Under Fire -- Leadership When Failure Means Death
When the penalty for failure is death -- for you and everyone depending on you. Decision making under extreme pressure, keeping groups calm, dealing with fear and doubt. I never lost a single passenger on the Railroad. Tip: Fear is natural. Paralysis is not. Decide and move. A wrong decision made quickly is better than a right decision made too late.
Invention & Reinvention Mentoring
One-on-one session. I was a movie star and a weapons inventor. I escaped a fascist husband and reinvented myself three times. If you are stuck between identities, between careers, between who you were and who you want to be -- talk to me. The world will try to put you in one box. Refuse.
Night Navigation Workshop -- Follow the North Star
Navigating by stars, moss, river direction, and landmarks in total darkness. I moved hundreds of people through swamps and forests at night with no map. The North Star was our compass. The drinking gourd song was our code. Tip: Move when the dogs cannot track -- in rain, through water, downwind. The night is your friend if you know her.
Chess Set (Tournament Grade Staunton)
I played chess on every set I ever worked on. Between takes, between scenes, during lunch. It teaches you to think three moves ahead -- exactly what an actor needs. This is a regulation Staunton set with a roll-up vinyl board. I'll play you a game if you rent it.
Humanitarian Storytelling Workshop -- Making the World Listen
How to tell stories that move people to action. I learned this at UNICEF -- you can show a million statistics and nothing changes. Show one child's face and the whole world responds. We work on narrative, photography, and the courage to witness.
Partner Dance Workshop -- The Art of Following
Everyone wants to learn to lead. Nobody teaches you to follow brilliantly. Following is interpretation in real time -- you feel the lead's intention through your frame and translate it into movement, often in reverse, often in heels. We work on frame, connection, and musical sensitivity. Tip: The best follower makes every leader feel like a genius.
Ballet Fundamentals for Actors -- Grace in Motion
Four positions, posture, and how to walk like you own the room. I studied ballet to be a dancer, but it made me an actress. Every movement on screen is a dance -- even sitting down. Sonia Gaskell would say: the spine tells the story.
Board Breaking Kit (Pine + Rebreakable Plastic)
Stack of 1-inch pine boards plus rebreakable plastic boards in 5 difficulty levels. Tip: Breaking boards is not about strength. It's about focus, follow-through, and believing your hand goes THROUGH the board, not TO it.
Singing for Non-Singers -- Charm Over Range
Irving Berlin, Cole Porter, and the Gershwins all wrote songs specifically for my voice -- and I had barely one octave. The trick isn't range. It's phrasing, charm, and meaning every word. We work on selling a song with personality instead of power. Tip: If you can speak it convincingly, you can sing it.
Dancing in Heels Workshop -- Grace Under Pressure
I danced in three-inch heels on polished floors going backwards. It requires ankle strength, balance, and nerve. We start with low heels on a forgiving surface and work up. Tip: The heel hits the ground differently than a flat shoe -- you must relearn your weight placement from the ground up.
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