Esplora Oggetti
11 annunci attivi
Glass Armonica (Working Replica, 37 Bowls)
My most beautiful invention. 37 glass bowls mounted on a spindle, turned by a foot pedal, played with wet fingers. Mozart and Beethoven both composed for it. The sound is unearthly -- people fainted at performances. Some thought it caused madness. It doesn't. It causes wonder. Handle with extreme care.
Nunchaku Set (Training Foam + Competition Wood)
Foam pair for learning, hardwood pair for performance. I made these famous but they're actually an Okinawan farming tool. Start with the foam. Trust me.
Japanese Film History Screening & Discussion
We watch one of my films with Kurosawa -- Rashomon, Seven Samurai, Yojimbo, or Ikiru -- and I break down every choice. Camera placement, performance decisions, what was improvised, what was argued about. Small group, max 8. Bring sake or tea.
Boxing Training Session -- Raging Bull Fundamentals
Jake LaMotta trained me for a year. I learned jab, cross, hook, uppercut, and the footwork of a middleweight. Boxing teaches you rhythm, distance, and controlled aggression -- all of which translate directly to screen performance. We wrap hands, hit bags, and spar light.
Character Empathy Workshop -- Becoming Someone You're Not
The hardest characters are the ones you disagree with. I teach you to find the humanity in ANYONE -- a cruel mother, a fascist collaborator, a bitter editor. We don't judge characters. We understand them. That understanding IS the performance. Tip: Ask 'Why does this person think they're right?' and you've found the character.
Audition Preparation Coaching -- The 3-Minute Performance
You get three minutes to show them everything. I teach you to walk in prepared, grounded, and PRESENT. We work on your specific audition piece -- cold read or prepared. Tip: They've decided about you before you open your mouth. Own the room from the door.
Motivational Speaking Workshop -- Words That Move People
My commencement speeches have millions of views because I don't lecture -- I TELL STORIES. Every speech is a performance. Every performance is a truth. We work on structure, delivery, vulnerability, and the courage to say something real. Tip: If you're not a little afraid of what you're about to say, it's not worth saying.
Emotional Scene Work -- Crying, Laughing, Raging on Cue
In Casablanca, the tears were real -- I didn't know how the story ended. That uncertainty became the performance. I teach you to access genuine emotion without tricks, onions, or menthol. We work on sense memory, breath, and emotional preparation. Tip: Don't try to cry. Try to NOT cry. The struggle is what the camera captures.
Dance Cane (Bamboo, Performance Grade)
A performance-weight bamboo cane -- the same kind I used in Puttin' on the Ritz and Top Hat. A cane transforms a walk into a performance. We practice twirls, tosses, and the gentleman's lean. Lighter than it looks, stronger than you'd think.
Opera Singing for Actors -- Voice as Instrument
I studied opera before acting. Vocal training teaches breath control, projection, and emotional range that transforms film performances. We warm up with scales, work on one aria, and apply the techniques to spoken text. You don't need to be a singer. You need to be a breather.
Piano Performance Workshop -- ATTACK the Keys
I don't teach you to play pretty. I teach you to play LOUD. Standing up. Kicking the bench. One foot on the keys. The piano is not a delicate instrument -- it's a 900-pound percussion weapon and you need to HIT IT. A-WOP-BOP-A-LOO-BOP!
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