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328 results for “film”
Alpine Survival & Mountain Crossing Workshop
I took an army over the Alps in autumn. We lost half our men to cold, rockslides, and hostile Gauls. Mountain travel, cold weather survival, route finding, and keeping morale when everything falls apart. Tip: Vinegar on hot rocks splits boulders. Sometimes the path must be made, not found.
Double Envelopment Strategy Workshop -- Cannae Method
The battle of Cannae, 216 BC. I let Rome push through my center while my wings closed like a jaw. 70,000 Romans died in one afternoon. Sand table exercises and field simulations. Tip: Invite the enemy to attack where you are weakest. That is where the trap lives.
Numidian Cavalry Javelin Set (5 Light Javelins)
Five light throwing javelins in the Numidian style. My riders under Maharbal would harass Roman columns for days -- throwing, retreating, throwing again. No armor, no shield, just speed and accuracy.
Field Fortification Workshop -- Build a Roman Camp
Hands-on workshop building a Roman marching camp. Ditch, rampart, palisade, gates, interior layout. At Alesia I built two walls -- one facing in to trap Vercingetorix, one facing out to stop his relief army. Tip: If you can build, you can hold. If you can hold, you can win.
Survival Kit (Roman Field Pack Recreation)
Recreation of what a Roman soldier carried: canteen, fire kit, rope, blade, dried rations pouch, wool blanket. 30 pounds of everything you need and nothing you don't. I will show you how to make camp with just this.
Dramatic Intensity Workshop -- Eyes That Burn Through the Screen
I teach you to hold a close-up. Most actors blink, shift, fidget. Stop. Be STILL. Let the camera come to your eyes and STAY there. We do exercises in sustained intensity -- thirty seconds of pure emotion without a word. Tip: If you can't hold a close-up for ten seconds, you're not ready for film.
Magic & Misdirection Workshop -- The Art of Deception
I performed magic my entire life -- for troops in WWII, on talk shows, and between takes on set. Magic teaches you about attention, misdirection, and the willingness of people to believe. Every filmmaker is a magician. We learn card magic, cups and balls, and the psychology behind why people see what you want them to see.
Citizen Kane Annotated Shooting Script
The shooting script with my margin notes. Every camera angle, every lighting note, every argument with Herman Mankiewicz documented in red ink. This is the most studied film in cinema. This is its blueprint. Read it with the film paused beside you.
Kung Fu Comedy Workshop -- Fighting and Falling with Style
I'll teach you to take a hit, sell a fall, and make the audience laugh while you're in pain. We use chairs, ladders, and tables as props -- everything in the room is a weapon and a punchline. Tip: Always show the whole body. Wide shots let the audience see the skill. Close-ups are for actors who can't fight.
Crash Mats & Safety Pads (Full Stunt Kit)
Eight crash mats in various sizes, knee pads, elbow pads, and a body harness. This is the safety equipment my stunt team uses for medium-height falls and wall work. Tip: Never do a stunt for the first time on camera. Rehearse until the fear becomes respect.
Prop Weapons Collection (Breakaway Chairs, Rubber Bottles, Foam Pipes)
Sugar glass bottles, balsa wood chairs, foam pipes, rubber bricks -- everything you need for a prop fight scene. I've used more chairs as weapons than any actor in history. They break beautifully on camera and barely sting in person. Barely.
Macedonian Sarissa (18-foot Pike Replica)
Full-length sarissa pike, 18 feet, cornel wood shaft with iron head and bronze butt-spike. Five ranks of sarissas project beyond the front line -- nothing wants to charge into that. Counterweight at the butt for one-handed use when the crush begins.
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