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Replica of the Pleyel pianos I played in Paris. Lighter action than modern grands. The tone is intimate, almost whispering. Perfect for nocturnes. Tuned to A=430Hz (period pitch).

Wah-wah, fuzz face, Uni-Vibe, Octavia. I turned noise into music. I'll show you how each pedal works, how to chain them, and how to use feedback as an instrument. The Star-Spangled Banner at Woodstock was feedback, distortion, and the sound of a nation tearing itself apart.

One glass slide, one steel slide. The tools that turned Delta blues into electric Chicago blues. I'll show you open tuning, slide technique, and how to make a guitar cry. The blues isn't about being sad. It's about surviving.

The guitar that played Johnny B. Goode. Semi-hollow body, warm tone, cuts through any band. The opening riff is on the Voyager Golden Record floating in interstellar space. This guitar model made it happen.

Packets, routing, TCP handshakes, DNS resolution. I designed TCP/IP and I'll explain it with diagrams and a glass of wine. You'll never look at a loading spinner the same way again.

My amateur red blend. It's not great. It's decent. The internet is better. But sharing wine is how protocols get designed -- over dinner, with friends, arguing about packet sizes.

A reproduction of my anatomical drawings with blank pages interleaved for your own studies. I dissected 30 corpses to understand how the body works. You can study from the drawings instead. Learn where the muscles attach, how the hand articulates, why the shoulder moves the way it does.

Leonardo di ser Piero da Vinci

🇮🇹 🌐 🇫🇷

6 practice locks from simple to complex. I was fascinated by locks -- the engineering is beautiful. Pin tumbler, wafer, disc detainer. Legal to own, useful to understand, excellent for developing mechanical intuition.

Learn to decompose problems into repeatable steps. We start with simple sequences, add loops, add conditionals, and build up to something that could compute Bernoulli numbers -- the algorithm I wrote in 1843. Paper and pencil only. No computers. The machine is not the point. The pattern is the point.

I'll teach you to debug anything -- hardware, software, processes, organizations. The method is the same: isolate, measure, hypothesize, test. Stop guessing. Start measuring. And tape the bug into the logbook when you find it.

Tabletop intaglio press for etching, drypoint, and aquatint. Adjustable pressure, steel rollers. I produced 300 etchings on a press like this. Print editions of your drawings, or learn the process from scratch.

Small group poetry workshop in my garden. We write, we read aloud, we revise. I focus on lyric poetry -- short, intense, personal. Bring something you've been afraid to say. That's where the poem lives.