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The same model I'd use if I were debugging hardware today. Measures voltage, current, resistance, capacitance, frequency, temperature. If you can measure it, you can fix it. If you can't measure it, you're guessing.

Professional-grade Shimpo VL-Whisper pottery wheel. Whisper-quiet motor, variable speed, reversible. Includes bat pins and splash pan. Heavy (30kg) but I can help load.

Leonardo di ser Piero da Vinci

🇮🇹 🌐 🇫🇷

Small tin sheets, oil paints, fine brushes. Everything for painting retablos -- the small votive paintings I collected and was inspired by. Paint your miracle, your gratitude, your survival. The format is tiny. The feeling is enormous.

Forget flattering yourself. Paint what's real. The scars, the joy, the fury, the love. We work in oil or acrylic on small canvases. I'll teach you about color symbolism from Mexican folk art -- what red means, what blue means, why I put monkeys and parrots in my paintings. Bring a mirror. Bring honesty.

I don't teach technique. I teach seeing. We go outside, we look at the sky, and I show you that it's not blue -- it's cobalt and ultramarine and violet and green, swirling. The color is the feeling. The brushstroke is the heartbeat. If your painting looks like a photograph, you're not painting -- you're copying.

French box easel, oil paints (18 colors including chrome yellow -- my obsession), brushes, turpentine, linseed oil, and 6 pre-stretched canvases. Everything you need to paint outdoors the way the Impressionists did. Go to a wheat field. Set up. Paint what you feel, not what you see.

Four hearing devices from different periods of my deafness, faithfully reproduced. From the early brass cone to the elaborate conversation devices Johann Maelzel built for me. A sobering reminder that the most famous music in history was composed in silence.

Learn to play my sonatas. Moonlight, Pathetique, Appassionata, Waldstein, Hammerklavier. We start with the ones you can handle and work up to the ones that break you. The Hammerklavier has destroyed better pianists than you. That's what makes it worth trying.

I'll teach you what my father taught me: start with a melody that a child can hum. Then build. Harmony, counterpoint, orchestration. A symphony is just a melody that grew up. No prior theory needed -- if you can sing, you can compose.

Replica of my Walter fortepiano -- the instrument I actually played, not a modern Steinway. Lighter action, clearer tone, closer to what I heard when I composed. Perfect for performing Mozart, Haydn, early Beethoven the way it was meant to sound.

Learn to write a fugue. Two voices, then three, then four. Each voice independent, all voices together forming something greater than the sum. This is not just music theory -- it's how to think in parallel. Programmers love it. Every thread independent, every thread synchronized.

Franco-Flemish double-manual harpsichord. Two 8-foot registers, one 4-foot. Proper temperament for Baroque repertoire. I wrote the Well-Tempered Clavier to prove every key was playable. This instrument proves it. Tuning included -- I'll come tune it at your venue.