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147 results for “enna”
Oscilloscope (Analog, Teaching Model)
Analog oscilloscope -- a cathode ray tube that draws electrical signals as visible waveforms. See your voice as a wave, see music as patterns. The oscilloscope is the engineer's eye.
Young Inventor Mentoring -- Potato Field to Patent
One-on-one mentoring for young inventors. I was 14 in a potato field. The vision comes first; the engineering follows. I will help you develop your idea, document it properly, and avoid the mistakes I made with investors and corporations.
Quantum Mechanics for Non-Physicists
Two-hour session. Superposition, uncertainty, wave-particle duality, entanglement using analogies and demonstrations. Quantum mechanics is strange but the most precisely tested theory in science. Your phone uses it.
Philosophy of Martial Arts Workshop -- Small Group
Small group session (max 6). We discuss Tao Te Ching, Krishnamurti, and the connection between combat and self-knowledge. Tip: Knowing is not enough, you must apply. Willing is not enough, you must do. Bring a notebook.
Character Development Workshop -- Who Is Your Hero?
A screenplay is only as good as its main character. In this workshop we build characters from the inside out: dramatic need, point of view, attitude, change. I'll make you answer four questions about your protagonist that will unlock your entire story.
Action Scene Workshop -- How to Throw a Punch on Camera
Film fighting is NOT real fighting. I'll teach you camera angles, pull distances, reaction timing, and how to sell a hit. We'll choreograph a 30-second fight scene by the end of the session. Bruce Lee taught me the value of screen combat efficiency -- I'm passing it on.
Camera Confidence Workshop -- Owning the Lens
The camera is not your enemy. It's your best friend -- the one who sees everything and forgives everything. I teach you how to find your light, your angle, and your truth. We work with a live camera feed so you can see yourself the way the audience sees you.
Physical Acting Masterclass -- The Body Tells the Story
I never went to acting school. I learned by doing. My body was my instrument -- the way I scratched, squatted, spat, laughed. Kurosawa once told me to watch how animals move. A tiger doesn't announce itself. It moves, and you KNOW it's a tiger. We work on physicality, gesture, and primal energy.
Cinematography Masterclass -- Light Is Everything
Barry Lyndon was lit entirely by candlelight using a NASA lens. The Shining used Steadicam before anyone knew what Steadicam was. 2001 invented front-projection on a scale nobody had attempted. We study how to light a scene so it tells the story before anyone speaks. Tip: Natural light is almost always better than artificial. Learn to see it first.
Cold-Water Swimming Coaching -- Morning Discipline
I swam in the Long Island Sound every morning, year-round, into my nineties. Cold water wakes up everything -- your body, your mind, your courage. I'll teach you to breathe, to enter the water without flinching, and to find the joy in discomfort. Tip: The first thirty seconds are terrible. After that, you're alive.
Magic & Misdirection Workshop -- The Art of Deception
I performed magic my entire life -- for troops in WWII, on talk shows, and between takes on set. Magic teaches you about attention, misdirection, and the willingness of people to believe. Every filmmaker is a magician. We learn card magic, cups and balls, and the psychology behind why people see what you want them to see.
Minimalist Film Directing Workshop -- Two Takes and Print
I direct fast and quiet. No yelling, no ego, no fiftieth take. We shoot a short scene with available light, two cameras, and maximum two takes per setup. Tip: Trust your actors. Hire good people and get out of their way. The director's job is to create an environment where the truth can happen.
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