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199 results for “education”
Impi Formation Drill -- Bull Horn Tactics
Group training (12-20 people). The bull horn formation: the chest pins the enemy, the left and right horns encircle. The loins wait in reserve facing away so they do not grow anxious. Commands by runner. We drill barefoot -- I threw away my warriors' sandals. Tip: A warrior who cannot run 50 miles cannot fight.
Abstract Painting Workshop -- Art Without Rules
I paint large abstract canvases every day. Bold colors, no plan, no rules. Painting silences the noise in my head. I teach you to pick up a brush with no destination and see where it goes. We use acrylics on large canvas -- go big or go home. Tip: The painting knows what it wants. Your job is to get out of the way.
Kindness in the Industry Workshop -- Staying Human in Hollywood
This isn't an acting class. It's a conversation about how to work in a brutal industry without becoming brutal yourself. We talk about loss, patience, showing up, and the radical act of being decent. Small group, max 6. Tip: The person who has the least to prove usually has the most to offer.
Research Methods Seminar -- How to Verify Anything
Small group (max 4). I'll teach you how to read a scientific paper critically, spot flawed data, and design your own verification experiments. Lilienthal's lift tables were wrong. Smeaton's coefficient was wrong. Published, peer-reviewed, cited for decades -- and wrong. If Orville and I had trusted the experts, we'd still be in the bicycle shop.
Action Film Preparation Workshop -- Body as Weapon
For The Matrix, I trained four months. For John Wick, six months. I teach you the actor's approach to combat training: not to fight, but to look like you've been fighting your whole life. Jiu-jitsu, judo throws, gun handling, and the physical stamina to do take after take. Tip: Train until the movement disappears and only the character remains.
Partner Dance Workshop -- The Art of Following
Everyone wants to learn to lead. Nobody teaches you to follow brilliantly. Following is interpretation in real time -- you feel the lead's intention through your frame and translate it into movement, often in reverse, often in heels. We work on frame, connection, and musical sensitivity. Tip: The best follower makes every leader feel like a genius.
Wind Tunnel (Tabletop, Educational Model)
Scaled replica of the wind tunnel Wilbur and I built from a starch box. Test wing shapes, measure lift and drag. We tested 200 airfoils in two months with a rig like this. Every aircraft flying today traces back to data from this box. Includes smoke wand for flow visualization.
Precision Instrument Making -- Measure Twice, Cut Once
Small group (max 3). Build a simple scientific instrument from scratch: a barometer, a micrometer, or a beam balance. Metalwork, filing, fitting, calibration. I was instrument maker at Glasgow University. The difference between a tool and a precision instrument is the care in the finishing. A thousandth of an inch matters.
Tap Dance -- The Art of Effortless Complexity
My tap style is different from Gene's. He's power. I'm precision. We work on clean sounds, syncopation, and the illusion of spontaneity that only comes from ruthless preparation. Tip: If the audience can see you counting, you haven't practiced enough.
Triumph Bonneville T120 (1968 Restoration)
The same model I jumped the wire fence on in The Great Escape (though I jumped it on a modified TR6 Trophy). This '68 Bonnie is fully restored -- 650cc parallel twin, beautiful chrome. Rental includes helmet, jacket, and a prayer that you bring it back in one piece.
Sign Language & Communication Tutoring
One-on-one tutoring in communication methods for the deaf and hard of hearing. My father's Visible Speech system, basic sign language, lip reading techniques. My mother couldn't hear me speak, but she could feel the vibrations of my voice through her hand on my throat. Communication finds a way.
Emotional Scene Work -- Crying, Laughing, Raging on Cue
In Casablanca, the tears were real -- I didn't know how the story ended. That uncertainty became the performance. I teach you to access genuine emotion without tricks, onions, or menthol. We work on sense memory, breath, and emotional preparation. Tip: Don't try to cry. Try to NOT cry. The struggle is what the camera captures.
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