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Heavy Bag (100lb Leather) + Speed Bag Station
Professional-grade heavy bag and speed bag mounted on a steel frame. The heavy bag teaches power. The speed bag teaches timing. Use both. I hit these every morning before sunrise and have since 1962.
Total Gym XLS (The Machine That Actually Works)
The same Total Gym model I use personally. Over 80 exercises on one machine using your own body weight. Incline bench, cable pulls, squats, core work. I'm not just the spokesman -- I've used this thing every day for 30 years.
Action Scene Workshop -- How to Throw a Punch on Camera
Film fighting is NOT real fighting. I'll teach you camera angles, pull distances, reaction timing, and how to sell a hit. We'll choreograph a 30-second fight scene by the end of the session. Bruce Lee taught me the value of screen combat efficiency -- I'm passing it on.
Board Breaking Kit (Pine + Rebreakable Plastic)
Stack of 1-inch pine boards plus rebreakable plastic boards in 5 difficulty levels. Tip: Breaking boards is not about strength. It's about focus, follow-through, and believing your hand goes THROUGH the board, not TO it.
Method Acting Intensive -- Becoming the Character
Two-hour session. We don't rehearse lines -- we build a life. Where did your character grow up? What does their kitchen smell like? What song makes them cry? Once you know that, the lines say themselves. Stella Adler's approach: imagination over memory. Tip: If you're thinking about acting, you're not acting.
Scene Study Workshop -- Reacting, Not Acting
Bring a scene partner. We work two scenes in two hours. I watch, I redirect, I provoke. Most actors prepare what they're going to say. Wrong. Prepare to LISTEN. The other actor's lines should change something in you every single time.
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Stella Adler's Acting Technique (First Edition)
Stella Adler's own handbook, first edition. She studied with Stanislavski in Paris -- the only American actor who did. This book is the foundation. Strasberg got the attention, but Adler got the method right.
Makeup & Prosthetics Kit -- Physical Transformation
The kit I used to age myself for the Godfather screen test. Spirit gum, cotton balls, dental plumpers, hairpieces, and scar wax. Your face is clay. Tip: Physical transformation starts a chain reaction -- change your jaw and your voice changes, your posture shifts, the character emerges from the body outward.
Improvisation for Film Actors -- Finding the Moment
Film improv is not comedy improv. It's about being so deeply in character that when the script breaks, you don't. The 'I coulda been a contender' speech in On the Waterfront -- half of that was written, half was felt. Learn to blur the line.
Screen Presence Workshop -- Less Is Everything
I teach you what Billy Wilder taught me: the camera sees everything you're thinking. You don't need to show it -- you need to FEEL it. We work on stillness, listening, and the art of the reaction shot. Tip: Most young actors try to DO too much. Stop doing. Start being.
Ballet Fundamentals for Actors -- Grace in Motion
Four positions, posture, and how to walk like you own the room. I studied ballet to be a dancer, but it made me an actress. Every movement on screen is a dance -- even sitting down. Sonia Gaskell would say: the spine tells the story.
Givenchy Little Black Dress (Replica, Size 6)
Museum-quality replica of the Breakfast at Tiffany's dress. Hubert made the original for me in 1961. This one is for costume research, photo shoots, or just feeling invincible for an evening. Handle with care -- it's lined in silk.
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