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Evidence-Based Practice -- Convince the Skeptics
Small group (max 5). Introduce new practices into resistant institutions. Collect before-and-after data, present clearly, find early adopters, publish results, and never argue with ego -- argue with mortality rates.
Jeet Kune Do Private Lesson -- The Art of Fighting Without Fighting
One-on-one martial arts training. We focus on YOUR body, YOUR speed, YOUR reach. I don't teach you to fight like me. I teach you to fight like the best version of you. Footwork, trapping, striking -- and the philosophy behind every movement.
Wing Chun Wooden Dummy (Mook Jong)
Traditional wooden dummy for Wing Chun training. 108 movements. It teaches you angles, deflection, and structure. The dummy doesn't lie -- if your form is wrong, your wrists will tell you.
Nunchaku Set (Training Foam + Competition Wood)
Foam pair for learning, hardwood pair for performance. I made these famous but they're actually an Okinawan farming tool. Start with the foam. Trust me.
Philosophy of Martial Arts Workshop -- Small Group
Small group session (max 6). We discuss Tao Te Ching, Krishnamurti, and the connection between combat and self-knowledge. Tip: Knowing is not enough, you must apply. Willing is not enough, you must do. Bring a notebook.
Film Fight Choreography Session
Learn to design fight scenes for camera. Real combat is ugly. Screen combat is poetry. I'll show you camera angles, timing, and how to sell a punch that misses by six inches. Every fight tells a story -- what's yours?
The Paradigm Workshop -- 3-Act Structure Masterclass
The workshop that changed screenwriting worldwide. In four hours, I break down the three-act structure using your favorite films. You'll never watch a movie the same way again. Bring a film you love and I'll show you its skeleton. Tip: The first ten pages are everything -- that's where the reader decides to keep going or toss your script.
Script Coverage & Notes -- Professional Feedback
Send me your screenplay (120 pages max). I'll read it, write detailed notes on structure, character, and dialogue, and return a 3-page coverage report. I've read over 2,000 screenplays for Cinemobile Systems and another 2,000 for the Royal Swedish Film Institute. I know what works.
Screenplay by Syd Field (Annotated Copy)
My personal annotated copy of Screenplay -- the book that's been called the bible of screenwriting. Margin notes from 30 years of teaching. Dog-eared pages. Coffee stains from late nights at Musso & Frank. Read it, return it, write your script.
Character Development Workshop -- Who Is Your Hero?
A screenplay is only as good as its main character. In this workshop we build characters from the inside out: dramatic need, point of view, attitude, change. I'll make you answer four questions about your protagonist that will unlock your entire story.
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Classic Screenplay Collection (Bound Scripts)
Bound shooting scripts of Chinatown, Annie Hall, Thelma & Louise, American Beauty, and The Shawshank Redemption. These are the scripts I used in my workshops for decades. Read them with a highlighter. Study how they handle plot points. Tip: Read scripts, not books about scripts.
Tang Soo Do Fundamentals -- From White to Green Belt
Traditional Korean martial arts training. We start with basic stances, blocks, and kicks. No flashy nonsense -- just solid technique that works. I'll teach the same forms I learned at Osan Air Base in 1958. Tip: Your roundhouse kick should come from the hip, not the knee. Most beginners kick with their leg. Champions kick with their whole body.
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