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850 results for “c”
Wallachian Kilij Sword & Buckler
Curved kilij saber -- Ottoman-influenced, adopted by Wallachian cavalry. Combined with a small steel buckler for parrying. The curve is deeper than a scimitar, designed for devastating draw cuts. My cavalry carried these on raids behind Ottoman lines.
Mountain Fortress Defense Workshop
Poenari Castle sits on a cliff above the Arges River. To reach it, attackers must climb 1,480 steps while my archers shoot down. This workshop covers mountain fortress selection, supply management, escape routes, and making the terrain fight for you.
Women Warriors of India -- History & Training Seminar
From the Rani of Jhansi to the Rani Durgavati, from Kittur Chennamma to Ahilyabai Holkar. Indian women have led armies, defended kingdoms, and fought empires for centuries. This seminar covers their stories and the martial traditions they practiced. I am not the exception. I am part of a long line.
Bronze Cuirass & Greaves (Mycenaean Style)
Beaten bronze cuirass (breastplate and backplate), bronze greaves, and boar's tusk helmet. Mycenaean warrior gear from the age of heroes. The bronze is functional -- it stops a blade. The boar's tusk helmet took hundreds of tusks to make. Wear it and feel what my warriors wore on the plains of Troy.
Silent Film Acting Workshop -- Expression Without Words
I learned to act in silent film, where your face and body ARE the language. No dialogue to hide behind. We work on facial expression, gesture, and the art of conveying a complete story through movement alone. Tip: Silent film acting isn't bigger than sound film acting -- it's more PRECISE.
Single Combat Workshop -- The Duel
One-on-one combat with spear, sword, and shield. The Homeric duel: trash talk, javelin throw, close with swords, finish the job. I fought the greatest warriors of Troy in single combat and never lost. Tip: Study your opponent before you fight him. Watch how he moves, which foot he leads with, where his shield drops.
Rage Management for Warriors -- Channel the Fire
My rage nearly lost the war for the Greeks. When I withdrew, the Trojans almost burned the ships. When I returned, I was unstoppable but reckless. This workshop teaches how to use anger as fuel without letting it drive. Tip: The warrior who fights in cold blood wins. The warrior who fights in hot blood fights well but makes mistakes that cost lives.
Representation in Film Workshop -- Fighting for the Role
I fought Hollywood's stereotypes for forty years. Sometimes I won. Sometimes I took the role anyway and subverted it from inside. This workshop is about navigating an industry that doesn't see you -- how to advocate for yourself, how to find humanity in limited scripts, and how to build a career when the system is designed to exclude you. Tip: Your anger is valid. Channel it into the work.
Shakespeare Intensive -- King Lear and the Weight of Language
I've played Lear, Othello, Prospero, and Antony. Shakespeare terrifies actors because the language is dense. I teach you to find the human being inside the verse. We work on one soliloquy -- breath, thought, emotion, and the moment where the character breaks through the poetry. Tip: Shakespeare wrote for actors, not scholars. Speak it like a human being.
Myrmidon Combat Training -- Elite Warrior Conditioning
Training as the Myrmidons trained. Spear, sword, shield, and body conditioning that would make Olympians weep. The Myrmidons were the most feared unit at Troy -- not because of numbers but because every single warrior was exceptional. Tip: An elite unit is not fifty good fighters. It is fifty fighters who trust each other with their lives.
Oil Paint & Acrylic Set (Professional Grade, 48 Colors)
Professional-grade paints: 24 oil colors and 24 acrylic colors, plus brushes in every size from detail to barn-wall. Includes two stretched canvases (24x36 inches). I use acrylics for speed and oils for depth. Start with acrylics -- they forgive mistakes.
Abstract Painting Workshop -- Art Without Rules
I paint large abstract canvases every day. Bold colors, no plan, no rules. Painting silences the noise in my head. I teach you to pick up a brush with no destination and see where it goes. We use acrylics on large canvas -- go big or go home. Tip: The painting knows what it wants. Your job is to get out of the way.
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