Browse Items
71 results for “testing”
Method Acting Books (Strasberg + Chekhov Collection)
My personal copies of Strasberg's Dream of Passion and Chekhov's To the Actor. Annotated in my handwriting. These are the two books that made me a real actress instead of just a movie star. Read both -- they contradict each other and that's the point.
Film Directing Masterclass -- Composing with the Camera
I teach directing the way I learned painting -- through composition. Where is the eye drawn? What is the relationship between foreground and background? We use storyboards, not shot lists. Every frame should be a painting that moves. Tip: Use multiple cameras. Actors perform differently when they don't know which camera is live.
Prop Weapons Collection (Breakaway Chairs, Rubber Bottles, Foam Pipes)
Sugar glass bottles, balsa wood chairs, foam pipes, rubber bricks -- everything you need for a prop fight scene. I've used more chairs as weapons than any actor in history. They break beautifully on camera and barely sting in person. Barely.
Boxing Training Session -- Raging Bull Fundamentals
Jake LaMotta trained me for a year. I learned jab, cross, hook, uppercut, and the footwork of a middleweight. Boxing teaches you rhythm, distance, and controlled aggression -- all of which translate directly to screen performance. We wrap hands, hit bags, and spar light.
Intensity Workshop -- The Quiet Before the Explosion
Michael Corleone is quiet for two hours before he pulls the trigger. Tony Montana never stops burning. I teach both -- controlled intensity and unleashed fire. We work on building emotional pressure in a scene until the release is inevitable. Tip: The explosion means nothing without the silence that precedes it.
Opera Singing for Actors -- Voice as Instrument
I studied opera before acting. Vocal training teaches breath control, projection, and emotional range that transforms film performances. We warm up with scales, work on one aria, and apply the techniques to spoken text. You don't need to be a singer. You need to be a breather.
Audition Preparation Coaching -- The 3-Minute Performance
You get three minutes to show them everything. I teach you to walk in prepared, grounded, and PRESENT. We work on your specific audition piece -- cold read or prepared. Tip: They've decided about you before you open your mouth. Own the room from the door.
August Wilson Complete Plays (Two-Volume Set)
The complete American Century Cycle -- ten plays spanning ten decades of Black American experience. My copies are marked up with director's notes, blocking ideas, and questions I still haven't answered. Wilson wrote this nation's story better than anyone. Start with Fences, end with Radio Golf.
Voice & Narration Workshop -- Making People Listen
I've narrated documentaries, audiobooks, and the voice of God himself. The secret? Slow down, breathe deeply, and mean every word. We work on resonance, pacing, and the art of reading text as if you're discovering it for the first time. Tip: Read the sentence silently first. Feel it. THEN say it aloud.
Numidian Cavalry Javelin Set (5 Light Javelins)
Five light throwing javelins in the Numidian style. My riders under Maharbal would harass Roman columns for days -- throwing, retreating, throwing again. No armor, no shield, just speed and accuracy.
Political Rhetoric & Persuasion Seminar
I wrote the Gallic Wars while fighting them. Clear writing is clear thinking. Public speaking, written persuasion, political maneuvering. Cicero was better with words. I was better with timing. Tip: Write in the third person. It makes you sound inevitable.
Highland Guerrilla Tactics Workshop
Hit-and-run from the hills. Ambush techniques, using terrain to negate cavalry, scorched earth defense. How common men with farm tools beat professional knights. Tip: You do not need to win the war in one battle. You need to make the occupation too expensive to maintain.
37-48 of 71 items (page 4 of 6)
