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Traditional Korean martial arts training. We start with basic stances, blocks, and kicks. No flashy nonsense -- just solid technique that works. I'll teach the same forms I learned at Osan Air Base in 1958. Tip: Your roundhouse kick should come from the hip, not the knee. Most beginners kick with their leg. Champions kick with their whole body.

Chuck Norris

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How to win by waiting. When to act and when to hold. Reading the political landscape, building position without exposing yourself, striking at the decisive moment. Nobunaga seized the rice cake, Hideyoshi cooked it, I ate it. Tip: If you cannot wait, you cannot win. The patient warrior outlasts the bold one.

Tokugawa Ieyasu

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Concentric baileys, stone walls, murder holes, and the famous curved walls that prevent climbing and deflect cannonballs. Edo Castle was my masterwork. This seminar covers Japanese castle design from the Sengoku period through the Edo period. Tip: A castle should make the attacker solve ten problems to reach you. Each problem costs him men.

Tokugawa Ieyasu

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Bound shooting scripts of Chinatown, Annie Hall, Thelma & Louise, American Beauty, and The Shawshank Redemption. These are the scripts I used in my workshops for decades. Read them with a highlighter. Study how they handle plot points. Tip: Read scripts, not books about scripts.

Syd Field

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A screenplay is only as good as its main character. In this workshop we build characters from the inside out: dramatic need, point of view, attitude, change. I'll make you answer four questions about your protagonist that will unlock your entire story.

Syd Field

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Bareback mounted combat with lance, bow, and war club. The Lakota fought from horseback as naturally as walking. Hanging off the side of the horse as a shield, shooting under the neck, the full-speed charge. Tip: Your war paint is your identity. I painted a lightning bolt on my face and hail spots on my body. The enemy should know who is coming for them.

Crazy Horse

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My personal annotated copy of Screenplay -- the book that's been called the bible of screenwriting. Margin notes from 30 years of teaching. Dog-eared pages. Coffee stains from late nights at Musso & Frank. Read it, return it, write your script.

Syd Field

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Send me your screenplay (120 pages max). I'll read it, write detailed notes on structure, character, and dialogue, and return a 3-page coverage report. I've read over 2,000 screenplays for Cinemobile Systems and another 2,000 for the Royal Swedish Film Institute. I know what works.

Syd Field

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10-foot war lance with iron point and eagle feather decorations, plus a coup stick. Counting coup -- touching an enemy in battle without killing him -- was the highest act of bravery. Killing was easy. Touching was courage. I counted coup many times before I started fighting for survival.

Crazy Horse

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Thick buffalo hide shield, heat-shrunk and painted with personal medicine symbols. At proper thickness, buffalo hide stops arrows and can deflect a musket ball at distance. The painting is not decoration -- it is protection medicine. This is a training replica. Respect the tradition.

Crazy Horse

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Japanese matchlock musket, based on Portuguese originals that arrived in 1543 -- the year I was born. Within 50 years, Japan had more firearms than any country in Europe. At Sekigahara, guns decided the battle. This replica fires black powder blanks for demonstration.

Tokugawa Ieyasu

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The workshop that changed screenwriting worldwide. In four hours, I break down the three-act structure using your favorite films. You'll never watch a movie the same way again. Bring a film you love and I'll show you its skeleton. Tip: The first ten pages are everything -- that's where the reader decides to keep going or toss your script.

Syd Field

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