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489 results for “food”
Total Gym XLS (The Machine That Actually Works)
The same Total Gym model I use personally. Over 80 exercises on one machine using your own body weight. Incline bench, cable pulls, squats, core work. I'm not just the spokesman -- I've used this thing every day for 30 years.
Board Breaking Kit (Pine + Rebreakable Plastic)
Stack of 1-inch pine boards plus rebreakable plastic boards in 5 difficulty levels. Tip: Breaking boards is not about strength. It's about focus, follow-through, and believing your hand goes THROUGH the board, not TO it.
Stella Adler's Acting Technique (First Edition)
Stella Adler's own handbook, first edition. She studied with Stanislavski in Paris -- the only American actor who did. This book is the foundation. Strasberg got the attention, but Adler got the method right.
Makeup & Prosthetics Kit -- Physical Transformation
The kit I used to age myself for the Godfather screen test. Spirit gum, cotton balls, dental plumpers, hairpieces, and scar wax. Your face is clay. Tip: Physical transformation starts a chain reaction -- change your jaw and your voice changes, your posture shifts, the character emerges from the body outward.
Improvisation for Film Actors -- Finding the Moment
Film improv is not comedy improv. It's about being so deeply in character that when the script breaks, you don't. The 'I coulda been a contender' speech in On the Waterfront -- half of that was written, half was felt. Learn to blur the line.
Ballet Fundamentals for Actors -- Grace in Motion
Four positions, posture, and how to walk like you own the room. I studied ballet to be a dancer, but it made me an actress. Every movement on screen is a dance -- even sitting down. Sonia Gaskell would say: the spine tells the story.
Givenchy Little Black Dress (Replica, Size 6)
Museum-quality replica of the Breakfast at Tiffany's dress. Hubert made the original for me in 1961. This one is for costume research, photo shoots, or just feeling invincible for an evening. Handle with care -- it's lined in silk.
Film Noir Acting Workshop -- The Art of the Anti-Hero
I teach you to play the guy who's seen too much but still does the right thing. Noir isn't about shadows -- it's about moral ambiguity. We work on understatement, world-weariness, and how to deliver a line like you've been thinking it for years. Tip: Never raise your voice when lowering it works better.
Camera Confidence Workshop -- Owning the Lens
The camera is not your enemy. It's your best friend -- the one who sees everything and forgives everything. I teach you how to find your light, your angle, and your truth. We work with a live camera feed so you can see yourself the way the audience sees you.
Vintage Pin-Up Photography Lighting Kit
Three-point lighting setup from the golden age of Hollywood glamour. Key light, fill light, backlight, plus a butterfly diffuser for that soft, luminous look. This is how they shot me, Garbo, and Dietrich. Tip: The backlight is the secret -- it separates you from the background and makes your hair glow.
Commanding the Room -- Presence and Dignity on Screen
I teach you to walk into a scene and own it without raising your voice or clenching your fist. Power isn't volume. It's stillness when everyone else is shouting. We work on posture, eye contact, and the silence between words. Tip: Before you say your first line, stand still for three seconds. Let the audience come to you.
Dialect & Accent Coaching -- From Caribbean to Classical
I rebuilt my voice from a thick Bahamian accent to classical American diction. I can teach you to do the same with any accent. We work on vowel placement, consonant precision, and rhythm. The goal isn't to erase where you're from -- it's to choose how you sound for each role.
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