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Learn buon fresco: painting directly onto wet plaster so the pigment becomes part of the wall. You have about 8 hours before it dries. No corrections. No undo button. The technique is 3,000 years old and it's still the most permanent form of painting that exists.

Aluminum scaffolding tower, adjustable height up to 6 meters. Platform, guard rails, locking casters. I spent 4 years on scaffolding painting the Sistine Chapel. You probably need it for a weekend to paint your ceiling. Trust me, a ladder is not enough.

One light source. Complete darkness. That's all you need for the most dramatic images in the world. I'll teach you to see light the way I painted it -- as a weapon. Works for painters, photographers, and filmmakers. Bring your camera or your canvas.

Lead white, yellow ochre, raw umber, burnt sienna, vermillion, bone black. The exact palette I used. Six colors. That's enough to paint anything if you understand value. Modern cadmium substitutes included because lead will kill you.

I'll teach you to paint a face that looks like a person, not a photograph. We work in oil on canvas, natural light from one window. The secret isn't technique -- it's empathy. You have to love the face you're painting, even the ugly ones. Especially the ugly ones.

French box easel, oil paints (18 colors including chrome yellow -- my obsession), brushes, turpentine, linseed oil, and 6 pre-stretched canvases. Everything you need to paint outdoors the way the Impressionists did. Go to a wheat field. Set up. Paint what you feel, not what you see.

I don't teach technique. I teach seeing. We go outside, we look at the sky, and I show you that it's not blue -- it's cobalt and ultramarine and violet and green, swirling. The color is the feeling. The brushstroke is the heartbeat. If your painting looks like a photograph, you're not painting -- you're copying.

Forget flattering yourself. Paint what's real. The scars, the joy, the fury, the love. We work in oil or acrylic on small canvases. I'll teach you about color symbolism from Mexican folk art -- what red means, what blue means, why I put monkeys and parrots in my paintings. Bring a mirror. Bring honesty.

Small tin sheets, oil paints, fine brushes. Everything for painting retablos -- the small votive paintings I collected and was inspired by. Paint your miracle, your gratitude, your survival. The format is tiny. The feeling is enormous.

Portable French easel, oil paints (Winsor & Newton), brushes, canvas boards. Everything you need to paint outdoors. I spent sixty years painting outside. The light changes every five minutes. That's not a problem. That's the point.

I'll help you design a garden that's beautiful to paint, not just beautiful to look at. Color masses, reflection pools, arched bridges, seasonal bloom sequences. A garden is a canvas that grows.

Learn to apply real gold leaf to paintings, furniture, or frames. I'll teach you the sizing, the breathing technique (one sneeze and twenty euros of gold blows away), and how to mix gold with oil paint for the effect you see in The Kiss. Materials included.