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MIG welder, 200A, gas/gasless. Good for steel, stainless, aluminum with the right wire. NOT for beginners -- you need to know what you're doing or book a training session.

Mike Kenel

🇬🇧 🇩🇪 🇮🇹

I'll teach you what I proved in my master's thesis: switches are logic. AND, OR, NOT. Wire them together and you can compute anything. We build circuits on a breadboard. By the end, you'll have a working binary adder made of transistors. From there, it's just scale.

I gave Europe the number zero. I wrote the book on algebra (al-jabr). I'll teach you both. We start with the Hindu-Arabic numeral system, learn why it's superior to Roman numerals, and work up to solving equations. The algorithm is just a recipe. Follow the steps.

A reproduction of my anatomical drawings with blank pages interleaved for your own studies. I dissected 30 corpses to understand how the body works. You can study from the drawings instead. Learn where the muscles attach, how the hand articulates, why the shoulder moves the way it does.

Leonardo di ser Piero da Vinci

🇮🇹 🌐 🇫🇷

A box of precision brass gears, cams, shafts, and springs. The same components I designed for the Analytical Engine. Build a clock, a music box, or a mechanical calculator. Or redesign them three times and never finish. Either way, the gears are beautiful.

A set of Jacquard punch cards and a demonstration reader. These are the ancestors of computer programs -- patterns encoded in holes. The loom doesn't think. It follows the card. The card is the algorithm. Babbage borrowed the idea. I wrote the first algorithm for it.

I'll teach you to debug anything -- hardware, software, processes, organizations. The method is the same: isolate, measure, hypothesize, test. Stop guessing. Start measuring. And tape the bug into the logbook when you find it.

I don't teach technique. I teach seeing. We go outside, we look at the sky, and I show you that it's not blue -- it's cobalt and ultramarine and violet and green, swirling. The color is the feeling. The brushstroke is the heartbeat. If your painting looks like a photograph, you're not painting -- you're copying.

French box easel, oil paints (18 colors including chrome yellow -- my obsession), brushes, turpentine, linseed oil, and 6 pre-stretched canvases. Everything you need to paint outdoors the way the Impressionists did. Go to a wheat field. Set up. Paint what you feel, not what you see.

Lead white, yellow ochre, raw umber, burnt sienna, vermillion, bone black. The exact palette I used. Six colors. That's enough to paint anything if you understand value. Modern cadmium substitutes included because lead will kill you.

Every play, every sonnet, every poem. Annotated with historical context, word definitions, and stage directions. 1,200 pages. This is the entire human condition bound in leather. Borrow it, read one play, return it. Or keep it for a month and read them all.

Learn to perform Shakespeare without being terrified of the language. We start with the insults (those are the fun part), work through the monologues, and end with a scene. No experience needed. Just a voice and a willingness to look foolish -- that's how all great actors start.