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You don't need a studio. You don't need a crew. You need a camera, a microphone, a laptop, and something worth saying. I'll teach you to research, script, edit, and publish a documentary that changes how people see the world. The mainstream won't touch your story? Good. Publish it yourself. That's what the internet is for.

I fix washing machines, dryers, dishwashers, and ovens. 15 years experience with all major brands (Bosch, Samsung, LG, Whirlpool, Indesit). Diagnostic visit EUR 40 -- fully refunded if you hire me for the repair. Most repairs same-day. I bring my tools, you just need to be home.

Jake Morrison

🇬🇧 🇮🇹

I'll teach you linear perspective, isometric projection, and how to draw machines that could actually be built. Bring a ruler, compass, and pencils. We draw by hand. No CAD. If you can't draw it, you don't understand it.

Leonardo di ser Piero da Vinci

🇮🇹 🌐 🇫🇷

Learn to decompose problems into repeatable steps. We start with simple sequences, add loops, add conditionals, and build up to something that could compute Bernoulli numbers -- the algorithm I wrote in 1843. Paper and pencil only. No computers. The machine is not the point. The pattern is the point.

A piece of wire exactly 11.8 inches long. The distance light travels in one billionth of a second. I hand these out at lectures. Hold it. Feel how short a nanosecond is. Now multiply by a billion. That's one second. Never waste a nanosecond.

I'll teach you to debug anything -- hardware, software, processes, organizations. The method is the same: isolate, measure, hypothesize, test. Stop guessing. Start measuring. And tape the bug into the logbook when you find it.

Forget flattering yourself. Paint what's real. The scars, the joy, the fury, the love. We work in oil or acrylic on small canvases. I'll teach you about color symbolism from Mexican folk art -- what red means, what blue means, why I put monkeys and parrots in my paintings. Bring a mirror. Bring honesty.

I don't teach technique. I teach seeing. We go outside, we look at the sky, and I show you that it's not blue -- it's cobalt and ultramarine and violet and green, swirling. The color is the feeling. The brushstroke is the heartbeat. If your painting looks like a photograph, you're not painting -- you're copying.

I'll teach you what my father taught me: start with a melody that a child can hum. Then build. Harmony, counterpoint, orchestration. A symphony is just a melody that grew up. No prior theory needed -- if you can sing, you can compose.

I'll teach you to paint a face that looks like a person, not a photograph. We work in oil on canvas, natural light from one window. The secret isn't technique -- it's empathy. You have to love the face you're painting, even the ugly ones. Especially the ugly ones.

Tabletop intaglio press for etching, drypoint, and aquatint. Adjustable pressure, steel rollers. I produced 300 etchings on a press like this. Print editions of your drawings, or learn the process from scratch.

One light source. Complete darkness. That's all you need for the most dramatic images in the world. I'll teach you to see light the way I painted it -- as a weapon. Works for painters, photographers, and filmmakers. Bring your camera or your canvas.