Browse Items
315 results for “Art”
Classic Hollywood Makeup Kit (1940s Natural Look)
The 1940s 'no makeup' look actually required extraordinary skill. Soft foundation, natural brow, minimal eye, rosy lip. This kit replicates the golden-age Hollywood look that Selznick's makeup artists created for me. Includes application guide.
Stunt Driving Workshop -- Speed, Control, Camera Angles
Bullitt's twelve-minute car chase changed action cinema. I'll teach you pursuit driving: heel-toe downshifting, controlled drifts, and how to hit your mark at speed while a camera car is six feet off your bumper. We use a closed course and start slow. Tip: Smooth is fast. Jerky is dangerous.
Tap Dance Fundamentals -- Athletic Style
I don't teach pretty tap. I teach POWERFUL tap. We start with shuffles, flaps, and time steps, then build to combinations that use your whole body. I combined tap with ballet and jazz because dance shouldn't live in boxes. Tip: Your tap shoes are percussion instruments. You're not dancing -- you're drumming with your feet.
Dance for Camera Workshop -- Choreographing for the Lens
Stage dance faces one direction. Camera dance exists in 360 degrees. I teach you to choreograph for angles, cuts, and tracking shots. We study the puddle-splashing in Singin' in the Rain and the ballet in An American in Paris. Tip: The camera is your dance partner. Don't ignore it.
Ballroom Dance Masterclass -- Elegance in Motion
Waltz, foxtrot, quickstep, and the Viennese waltz. I teach you to move across a dance floor as if the floor were made of clouds. Posture, frame, lead-and-follow, and musicality. Tip: Your partner should feel weightless in your arms. If they feel heavy, you're leading too hard.
Tap Dance -- The Art of Effortless Complexity
My tap style is different from Gene's. He's power. I'm precision. We work on clean sounds, syncopation, and the illusion of spontaneity that only comes from ruthless preparation. Tip: If the audience can see you counting, you haven't practiced enough.
Citizen Kane Annotated Shooting Script
The shooting script with my margin notes. Every camera angle, every lighting note, every argument with Herman Mankiewicz documented in red ink. This is the most studied film in cinema. This is its blueprint. Read it with the film paused beside you.
Yumi Longbow (Japanese, Asymmetric, 7-foot)
Traditional Japanese yumi, 7 feet tall, bamboo and wood laminate. The asymmetric grip (held at the lower third) allows shooting from horseback. My mounted archery was accurate at 100 yards at full gallop. The yumi requires years to master -- start with standing shots.
Magic & Misdirection Workshop -- The Art of Deception
I performed magic my entire life -- for troops in WWII, on talk shows, and between takes on set. Magic teaches you about attention, misdirection, and the willingness of people to believe. Every filmmaker is a magician. We learn card magic, cups and balls, and the psychology behind why people see what you want them to see.
Vintage Cigarette Holder & Prop Kit
Art deco cigarette holders (long and short), prop cigarettes, and a lighter. I used cigarettes as punctuation marks -- a drag for emphasis, a flick for dismissal, a crush for rage. Props are an actor's secret weapon. This kit teaches you to use objects as extensions of emotion.
Spanish Jinete Light Cavalry Kit
Jinete riding gear: light leather armor, round adarga shield, short javelin set, and Moorish-style light saddle. The jinete style -- adopted from the Moors -- used speed and javelins instead of heavy charge. Perfect for skirmishing and pursuit.
Samurai Mounted Archery (Yabusame) Training
Yabusame: mounted archery at gallop, hitting targets on a narrow lane. Sacred Shinto practice and deadly combat skill. Draw, release, recover -- all while controlling the horse with your knees. I will start you at a walk. The gallop comes when the horse says you are ready.
121-132 of 315 items (page 11 of 27)
