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99 results for “woodworking”
Plains Survival & Tracking Workshop
Reading tracks, finding water on the open plains, building shelter from materials at hand, fire making. My people lived on these plains for thousands of years without a single building. The land provides everything if you know how to ask. Tip: Listen more than you look. The wind carries information.
Tabletop Printing Press (Working Replica)
Working replica of a 15th-century screw press, scaled to tabletop size. Wooden frame, iron screw, leather ink balls. Comes with a starter set of lead type (Textura blackletter) and oil-based ink. Print your own pages. The same mechanism that ended the Dark Ages, now in your kitchen.
Creative Thinking Workshop -- The Patent Clerk Method
Small group (max 5). I'll teach you how to do thought experiments: isolate a problem, strip it to essentials, follow the logic to impossible conclusions, then ask why they're impossible. This is how I found special relativity. This is how you solve any problem where the conventional answer feels wrong. Bring a notebook. Bring a problem. Leave with a new way to think.
Letterpress Printing Workshop -- Set Type, Pull Prints
Hands-on letterpress session. Pick individual lead type from the case, compose a line, lock it in the chase, ink the form, and pull a print. You'll leave with a hand-printed broadside. Tip: Set type mirror-image, left to right becomes right to left. The first time everyone gets it backwards. That's why we call it 'mind your p's and q's' -- they're mirror images in the type case.
Zero-Budget Filmmaking Workshop -- Pather Panchali Method
I made the most acclaimed debut film in Indian history with no money, no studio, and no experience. I teach you to work with what you have: natural light, real locations, non-professional actors, and a story worth telling. We plan a short film using only resources within walking distance. Tip: Limitations are not obstacles. They are your style.
Silent Film Acting Workshop -- Expression Without Words
I learned to act in silent film, where your face and body ARE the language. No dialogue to hide behind. We work on facial expression, gesture, and the art of conveying a complete story through movement alone. Tip: Silent film acting isn't bigger than sound film acting -- it's more PRECISE.
Surrealist Filmmaking Workshop -- Dreams as Cinema
Logic is for accountants. Cinema is for dreamers. I teach you to build a film from images, feelings, and memories instead of plot outlines. We start with your strangest dream and work backward to a script. Tip: The image comes first. Then the meaning. Never the other way around. If you start with a message, you'll make a lecture, not a film.
Three-Gun Tactical Training Workshop
Pistol, rifle, and shotgun -- safe handling, reload drills, transition drills, and shoot-on-the-move technique. I trained at Taran Tactical for John Wick and now I compete in 3-gun matches for fun. Safety is absolute. We start with fundamentals and build up. Tip: Slow is smooth, smooth is fast.
Multilingual Acting Workshop -- Performing in Other Languages
I performed in Swedish, English, Italian, German, and French -- each language changes how you think, gesture, and breathe. We pick two languages and do the same scene in both. You'll discover that your character shifts when the language shifts. That's not a problem -- that's a gift.
Stunt Driving Workshop -- Speed, Control, Camera Angles
Bullitt's twelve-minute car chase changed action cinema. I'll teach you pursuit driving: heel-toe downshifting, controlled drifts, and how to hit your mark at speed while a camera car is six feet off your bumper. We use a closed course and start slow. Tip: Smooth is fast. Jerky is dangerous.
Abstract Painting Workshop -- Art Without Rules
I paint large abstract canvases every day. Bold colors, no plan, no rules. Painting silences the noise in my head. I teach you to pick up a brush with no destination and see where it goes. We use acrylics on large canvas -- go big or go home. Tip: The painting knows what it wants. Your job is to get out of the way.
Caricature Drawing Workshop -- Faces Tell Everything
Before I was a director, I was a caricaturist in the streets of Rome. I'd draw tourists for money. A caricature captures what a photograph misses -- the ESSENCE of a face. We draw each other, strangers from photos, and characters from imagination. Tip: Exaggerate one feature. That's the person's truth.
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