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Public Speaking Masterclass -- Voice & Persuasion
Small group (max 6). I spent my life studying the human voice -- how it works, how it persuades, how it fails. I'll teach you projection, pacing, and the one trick that separates a good speaker from a great one: silence. The pause before the point is more powerful than the point itself.
Macedonian Sarissa (18-foot Pike Replica)
Full-length sarissa pike, 18 feet, cornel wood shaft with iron head and bronze butt-spike. Five ranks of sarissas project beyond the front line -- nothing wants to charge into that. Counterweight at the butt for one-handed use when the crush begins.
Commanding Presence Masterclass -- Owning Every Room
Whether it's a boardroom, a courtroom, or a battlefield, I teach you to walk in like you belong. We work on voice projection, stillness under pressure, and the art of the deliberate pause. Tip: Don't rush. The audience waits for you. You don't wait for the audience.
Opera Singing for Actors -- Voice as Instrument
I studied opera before acting. Vocal training teaches breath control, projection, and emotional range that transforms film performances. We warm up with scales, work on one aria, and apply the techniques to spoken text. You don't need to be a singer. You need to be a breather.
Stage-to-Screen Acting Workshop -- Projecting Without Shouting
I started on Broadway and moved to Hollywood. The transition destroys most actors -- they're either too big for camera or too small for stage. I teach you to calibrate. Same truth, different volume. Tip: On stage, your eyes reach the back row. On camera, your thoughts do.
Cinematography Masterclass -- Light Is Everything
Barry Lyndon was lit entirely by candlelight using a NASA lens. The Shining used Steadicam before anyone knew what Steadicam was. 2001 invented front-projection on a scale nobody had attempted. We study how to light a scene so it tells the story before anyone speaks. Tip: Natural light is almost always better than artificial. Learn to see it first.
Technical Drawing & Perspective Workshop
I'll teach you linear perspective, isometric projection, and how to draw machines that could actually be built. Bring a ruler, compass, and pencils. We draw by hand. No CAD. If you can't draw it, you don't understand it.
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