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295 results for “free”
Invention Workshop -- From Idea to Prototype
Bring me your idea. Any idea. We'll spend two hours turning it into a working prototype or a detailed plan. I've done this 1,093 times. Tip: Start with the problem, not the solution. Who has this problem? How bad is it? How much would they pay to make it go away? If the answer is 'a lot,' build it. If the answer is 'not much,' find a different problem.
Bass Guitar (Fender Jazz Bass, Sunburst)
My Fender Jazz Bass from the Dogstar days. I'm not a great bassist -- I'm an enthusiastic one. Sometimes enthusiasm is enough. Borrow it, start a band, play badly with joy. Tip: The bass holds everything together. Like kindness.
Representation in Film Workshop -- Fighting for the Role
I fought Hollywood's stereotypes for forty years. Sometimes I won. Sometimes I took the role anyway and subverted it from inside. This workshop is about navigating an industry that doesn't see you -- how to advocate for yourself, how to find humanity in limited scripts, and how to build a career when the system is designed to exclude you. Tip: Your anger is valid. Channel it into the work.
International Film Career Workshop -- Beyond Hollywood
When America wouldn't cast me fairly, our went to Europe and became a star in Berlin, London, and Paris. I teach you to think globally -- how to navigate international film industries, work in multiple languages, and build a career that doesn't depend on one country's approval. Marlene and I became friends because we both refused to be limited.
Graphic Design & Film Poster Workshop
I designed every poster, title card, and publication for my films. Typography is architecture. Layout is storytelling. We design a film poster from scratch -- concept, typography, illustration, and final composition. Bring a film idea or I'll give you one. Tip: A poster is a one-second film. It must convey mood, genre, and intrigue in a single glance.
Surrealist Filmmaking Workshop -- Dreams as Cinema
Logic is for accountants. Cinema is for dreamers. I teach you to build a film from images, feelings, and memories instead of plot outlines. We start with your strangest dream and work backward to a script. Tip: The image comes first. Then the meaning. Never the other way around. If you start with a message, you'll make a lecture, not a film.
Caricature Drawing Workshop -- Faces Tell Everything
Before I was a director, I was a caricaturist in the streets of Rome. I'd draw tourists for money. A caricature captures what a photograph misses -- the ESSENCE of a face. We draw each other, strangers from photos, and characters from imagination. Tip: Exaggerate one feature. That's the person's truth.
Sketchbook & Colored Pencil Set (Fellini's Dream Kit)
Large-format sketchbook (A3) and 72 professional colored pencils -- the same tools I used for my dream journals. The sketchbook has thick paper that handles ink and pencil. Keep it by your bed. Draw before coffee. The dreams are freshest in the first five minutes.
Italian Cinema History -- Neorealism to Surrealism
We screen one of my films alongside a Rossellini or De Sica film and trace the evolution from neorealism to surrealism. How did Italian cinema go from Bicycle Thieves to 8 1/2 in fifteen years? The answer is autobiographical. We'll trace it together. Nino Rota's music is mandatory.
Self-Reinvention Workshop -- Becoming Who You Choose to Be
Archie Leach became Cary Grant. A poor boy from Bristol became the most suave man in Hollywood. I teach you that persona is a craft -- voice, posture, wardrobe, and the stories you tell about yourself. We're not faking it. We're CHOOSING who to become. Tip: Dress for the role you want, walk like you already have it, speak like it's already yours.
Acrobatics for Actors -- The Pratfall as Art
I was an acrobat before I was an actor, and every physical comedy beat I ever did came from tumbling with Bob Pender's troupe. Forward rolls, backward falls, the controlled stumble, and the pratfall that looks accidental but is engineered to the inch. We work on mats. Tip: The funnier the fall, the more controlled it actually is.
ARCH Motorcycle Experience (Custom KRGT-1)
A ride on the KRGT-1 -- the motorcycle I co-designed with Gard Hollinger at ARCH Motorcycle Company. S&S 2032cc V-twin, billet aluminum frame, handcrafted everything. This isn't a rental. It's a supervised ride experience on a closed course. Because some things you have to feel to understand.
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