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384 results for “1-on-1”
Katana & Wakizashi Training Set (Bokken -- Wooden)
Two wooden training swords -- full-length bokken (katana) and short bokken (wakizashi). I killed Sasaki Kojiro with wood. Steel is a privilege, not a right. Master the fundamentals with these before you touch a live blade. Tip: The sword is an extension of your center. Move from the hips, not the arms.
Joan's Banner (Replica -- Fleur-de-lis on White)
Full-size replica of my war banner -- white linen, painted angels, fleur-de-lis, JHESUS MARIA. I carried this instead of a sword. I told the court: I loved my banner forty times more than my sword. The banner never killed anyone. It gave men something to follow.
Centurion's Vine Staff (Vitis) & Pugio Dagger
The vine staff was the centurion's badge of office and disciplinary tool. The pugio was the last-resort dagger. Cassius used one on me. Authentic reproductions for historical reenactment and display.
French Arming Sword (15th Century Replica)
Single-handed arming sword, cruciform hilt, 32-inch blade. Standard Hundred Years War knight's weapon. I rarely drew mine -- my banner was my weapon. But I trained daily. Balanced for one-handed use with shield or on horseback.
Niten Ichi-ryu Workshop -- Two-Sword Fighting
My school: long sword in one hand, short sword in the other. Most swordsmen use two hands on one blade. I use one hand on each. The long sword attacks, the short sword defends and creates openings. It requires years. We start today. Tip: Do not grip the sword tightly. Hold it like a bird -- firm enough it cannot escape, gentle enough you do not crush it.
The Anti-Hero Workshop -- Power Through Silence
The Man With No Name, Dirty Harry, William Munny. Three different decades, one technique: say less, mean more. I teach you to hold a scene with a look, a squint, and a well-timed pause. We work on screen economy -- every gesture must earn its place.
Acrobatics Fundamentals -- Flips, Rolls, and Wall Runs
Peking Opera trained me in acrobatics from age six. I teach forward rolls, backward rolls, cartwheels, wall runs, and basic flips -- all on safety mats. You don't need to be young. You need to be willing. Sammo Hung and I still warm up with these moves. Tip: Your hands and feet should never land at the same time.
Double Envelopment Strategy Workshop -- Cannae Method
The battle of Cannae, 216 BC. I let Rome push through my center while my wings closed like a jaw. 70,000 Romans died in one afternoon. Sand table exercises and field simulations. Tip: Invite the enemy to attack where you are weakest. That is where the trap lives.
Prop Weapons Collection (Breakaway Chairs, Rubber Bottles, Foam Pipes)
Sugar glass bottles, balsa wood chairs, foam pipes, rubber bricks -- everything you need for a prop fight scene. I've used more chairs as weapons than any actor in history. They break beautifully on camera and barely sting in person. Barely.
Crash Mats & Safety Pads (Full Stunt Kit)
Eight crash mats in various sizes, knee pads, elbow pads, and a body harness. This is the safety equipment my stunt team uses for medium-height falls and wall work. Tip: Never do a stunt for the first time on camera. Rehearse until the fear becomes respect.
Jazz Piano Session -- Improvisation and Film Scoring
I've composed scores for many of my own films. Jazz is conversation -- you listen, you respond, you leave space. We work on basic piano improvisation over blues and jazz standards. No sheet music. Tip: The notes you DON'T play are just as important as the ones you do. Same in acting. Same in life.
Kopis Sword & Pelte Shield (Cavalry Set)
Curved kopis blade and small pelte shield. The kopis curves forward -- the weight at the tip means gravity does the work on a downward slash from horseback. This is what the Companions carried after the lance broke. Brutal and efficient.
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